This week, I had the privilege of staying at Rubber Repertory's Pilot Balloon Church-House. My partner, Karen Alvarado, was scheduled to come with me, but she had to go to NYC over the weekend for auditions. I missed her presence. But her absence compelled me to write a piece that tracks the contours of our feelings for each other. I suspect I will post more about that in a few weeks.
In the meantime, I wanted to share some images from a very small project I worked on while I was here. As a part of Rubber Repertory's fundraising efforts, they offered their donors the opportunity to receive a piece of postcard art from the artists staying with them in Lawrence. The postcards presented a challenge, as straightforward writing felt inadequate for the medium--I write postcards all the time, and would never classify those as 'art.' So I experimented with a few new methods, so to speak, to earn my keep. The images below don't tell half the story, but I hope they will help me remember the work.
The postcards I made were inspired by a handful of Mexican youths I saw on the metro near the Autonomous University in Mexico City; I watched them cut themselves with bottle glass and beg for pesos--but the passengers gave them nothing.
Here's a partial list of materials: postcard, brother EM430 typewriter, milk of magnesia, club soda, soap, distilled vinegar, a memory of Mexico, a broomstick, a shower, a ceramic baking dish, absorbent paper, and a fourteen gauge needle that I brought back from Iraq.
In the meantime, I wanted to share some images from a very small project I worked on while I was here. As a part of Rubber Repertory's fundraising efforts, they offered their donors the opportunity to receive a piece of postcard art from the artists staying with them in Lawrence. The postcards presented a challenge, as straightforward writing felt inadequate for the medium--I write postcards all the time, and would never classify those as 'art.' So I experimented with a few new methods, so to speak, to earn my keep. The images below don't tell half the story, but I hope they will help me remember the work.
The postcards I made were inspired by a handful of Mexican youths I saw on the metro near the Autonomous University in Mexico City; I watched them cut themselves with bottle glass and beg for pesos--but the passengers gave them nothing.
Here's a partial list of materials: postcard, brother EM430 typewriter, milk of magnesia, club soda, soap, distilled vinegar, a memory of Mexico, a broomstick, a shower, a ceramic baking dish, absorbent paper, and a fourteen gauge needle that I brought back from Iraq.
Many thanks to Rubber Repertory's Josh Meyer and Matt Hislope! I was lucky to have the opportunity to visit them in Lawrence! I am going to miss them, and the intensity of openness with which they listen to human experience.
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